How To Choose A Quality School
(And a few questions to ask.)

    With so many schools offering everything from recreational classes to competition groups to professional
    caliber training, figuring out which one to choose can be a complex and often confusing process.  From the
    very first class attention to detail is essential to the development of a student.  Bad habits formed early in
    training can be extremely difficult, if not impossible, to change.  When choosing a school there are many
    qualities more important than location or class scheduling; we believe the following five questions are the
    most important to ask prior to enrolling at a school.  Positive answers to these questions go a long way to
    help ensure that the training you or your young one receives is the best it can be!
                            
    1. Look closely at the background of the directors/owners and teachers, were they professionals in
    their fields?  In the United States literally anyone can open a dance school regardless of their qualifications.  
    While a professional background is not a guarantee, it is a good indicator of potential quality.  Most good
    teachers will have at least some professional performing experience and will have training beyond the local
    level. Dance, like most performing arts, is passed down from generation to generation through many years
    of intense study and training.  Just as in other areas of life, it is difficult to teach something that you haven’t
    fully experienced and don’t completely understand.  

    2. What is the atmosphere in class like?  Watching class and talking with parents and students at the
    school are great ways to get a sense of the overall atmosphere.  A well taught class has a balance of
    discipline and fun in a focused, positive atmosphere, never chaotic. Students are attentive, fully engaged and
    everyone in class is treated with equal respect and caring regardless their age, ability or level of commitment.
    Each exercise is an individual challenge and students compete not with each other, but with themselves to do
    their very best. The class ends with students exhausted but exhilarated (at least most of the time!), proud of
    their personal accomplishments and looking forward to the next class.  Making sure their training is as much
    inspirational as it is educational will ensure the students come away with a positive experience and a lifelong
    appreciation of dance and the arts.

    3. Are the teachers consistent and dedicated to quality training?  A unified approach is vital to creating
    a solid foundation in any type of training and dance is no exception.  A consistent, dedicated staff working
    together is extremely important.  Schools that have teachers coming and going every few months or classes
    that have a variety of teachers throughout the week create dancers with a hodgepodge of technical abilities
    and no real foundation on which to grow.  With this type of approach students can find their class
    experience confusing and frustrating, and certainly will not develop the strength and skills needed to excel.  
    Unfortunately some careers are over before they start because of poor training early in a student’s life.    

    4. Does the school encourage students to seek out additional instruction if it is not offered? There
    are many reasons a school may recommend a student take classes elsewhere.  It may be that the school does
    not offer a specific type of training or is not able to offer advanced level classes.  A good school will not
    only recognize the need for additional training, they will often be able to suggest other schools where the
    student can find the classes they need to achieve their dreams.   

    5. Is the school environment safe? A safe floor is crucial to the well being of dancers’ bodies young and
    old alike. To avoid injuries the studio floor should be sprung or cushioned, with either a non-slip surface like
    a Marley* laid on top, or a hardwood floor that is completely free from nails, screws and splinters.  A
    concrete floor is NEVER an acceptable training surface. The injuries and damage that can be caused by
    dancing on concrete for periods longer than a day or two are many and can potentially be career
    threatening.  Also, particular attention should be given to the type and volume of music used in class.
    Musical selections should be appropriate for the students’ age and ability and, perhaps more importantly,
    played at a safe volume. Permanent hearing damage can occur in a matter of moments if the volume is too
    loud.  Speaker placement is also important.  Well placed speakers (in the upper corners of the room) provide
    even sound throughout the studio so students all experience the same volume level regardless of where they
    are standing.

    *A brand name for a type of vinyl floor covering that is the mainstay of professional dance schools and
    companies around the world.  

    A note about “Competition Schools”.  A plethora of trophies on display is a certain sign that you have
    found a school that participates in dance competitions/conventions.  Throughout the professional dance
    world the phrase “Competition School” generally refers to a school whose primary focus is on its
    competition program (often called “Company” or “Team”). The director/owner will say they attend in order
    to further the training of their instructors and students.  The problem is that while there are a few legitimate
    organizations that conduct competitions/conventions, most do little, if anything, to help students grow and
    are really just thinly veiled fronts designed to make money handing out cheap plastic trophies to all who pay
    the entrance fees.  The focus at a “Competition School” is predominantly on winning the next event rather
    than creating well rounded dancers. Students from these types of schools can often do a few amazing steps
    that wow the judges, but unfortunately will also have large gaps in their overall technique and possess limited
    artistic ability.   Which is why, despite claims to the contrary, the truth is that very few professional dancers
    receive the bulk of their training from a “Competition School”.  A “Competition School” can be a fun place
    to make friends, learn a few dance steps and travel a bit but it is almost never a place to discover the true
    wonder of the performing arts.

    And lastly, parents and students should trust their intuition!  As they advance students will spend untold
    hours in the studio; it is important to be sure the studio is a healthy, safe and comfortable place for them to
    grow and mature, both physically and emotionally. If the school just doesn't feel right or does not offer the
    type of training you are looking for, look a little further before registering.  Making sure the school is the
    right fit will, in the long run, be the best choice for both student and school.